Fender has been one of the biggest names in the world of guitars and amps since the 1940s. When looking for the best Fender amp, having some knowledge of where they have come from and what they’re about can certainly help. MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. If you’re keeping the amp in one place and you’ve got the ability to turn it up to really get the most out of it, then it is absolutely one of the best Fender amps there is. The Fender Twin is big, loud and heavy, but there’s so much character to it. The EQ is super responsive too, so if you’re using the Twin as a blank canvas for your pedalboard, then you can easily and precisely tweak the EQ to suit them. If overdrive is your thing, then you’d better hope your neighbours don’t mind a racket! You can of course use pedals to get overdrive, and the Twin works really well for that. You’ve got tons of headroom – you really have to crank it to get it to break up. The Twin is really loud, so if you’re playing big venues, or perhaps you’re not always going to be able to mic up your amp, then this can be really useful.
They’re not necessarily the most practical, but if we’re talking dream scenarios, then it’s absolutely one of the best Fender amps. It has been the choice of players seeking loud, clean tones for decades, and still is today. Nothing has the response, and headroom, of a Fender Twin.
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It’s also compatible with the Fender Tone Desktop App where you can further tweak your sounds, explore new presets and update the firmware. It’s really easy to use, and the colour screen helps you keep track of where you are. The twin 4” speakers give you some amazing stereo sounds too, so if you’re using delays and reverbs, you can get a nice, wide stereo image with this compact amp.
There are also some fantastic effects built into this, so you can get pretty experimental with your sounds. You’ve then got a bunch of presets that cover some really nice crunchy tones, as well as higher gain options. It’s got some great models of classic Fender amps, so you can cover the clean stuff with ease. So if you’re looking for the best Fender amp to cover as much ground as possible at home or wherever you practice, then this could well be it. This is a compact desktop modelling amp that packs in a mighty wide array of different tones suitable for everything from metal to pop. The driven tones also have a really nice midrange – perhaps not what you’d normally associate with Fender amps.Īll of this, along with the on-board reverb, cab sim-equipped XLR output and effects loop make the Bassbreaker 30R an incredibly practical option for gigging guitarists, and certainly one of the best Fender amps available. This means you can essentially use it as a three channel amp, with sounds for clean, rhythm and lead, making it perfect for gigging. It’s a two channel amp that lets you switch from clean to overdriven tones, however the second channel has an additional switch that enables you to introduce more gain, catering for hard rock and even metal players. The Bassbreaker 30R came from the previous 15W version, with Fender listening to players’ feedback. Whilst it can certainly give you warm and full-sounding cleans, with those rich, sparkly treble frequencies, this thing is a straight up rock machine. The Bassbreaker 30R is a slight departure from what you might normally associate with Fender amps. There’s an XLR output with level control and Impulse Response cabinet emulation that allows you to connect to a recording interface, or front of house PA system at gigs, and a ground switch. Being able to get beautiful, warm, organic sounding Fender overdrive at bedroom-friendly volumes really is a massive plus!Īs well as the authentic, incredible tones you can get from this amp, it’s really practical for modern players too. You’ve got various different output settings as well, allowing you to knock the power down so you can achieve that famous Deluxe Reverb breakup without shaking the whole building. Weighing in at around half the weight of a traditional Deluxe Reverb, this new Tone Master version boasts 100W of power, so you get the same sort of clean headroom when playing with the volume cranked. The Deluxe Reverb is loved by all sorts of players around the world, however it’s heavy and it’s not always possible to get the most out of unless you’re playing on huge stages. This is a very powerful, tube-less modelling amp that delivers both the sound and response of a Fender Deluxe Reverb.
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